
Cappuccino Dusk is an implausibly brilliant example of how not to write a novel. Its characters are so banal, the language so lacking, the plot so trite, that you gag each time one of Basu’s asinine creations opens their mouths. No prizes for guessing that the story is about a Bengali family. Basu delivers them to us in that nauseating, faux-melodrama that only a piddling little Bengali writer could accomplish. But, we must laud her for her originality of setting the Banerjees down in A-502, Pushpa Milan, Durga Nagar, Bombay. Bengalis in Bombay; now that’s surely fertile ground for an invigorating plot. Basu cashes in on the city where she herself lives by involving (OMG is it even possible?) non-Bengali characters. There’s Mustafa, the handsome & indolent Bohri Muslim; CoKen a drugged up Dingo; pert breasted, intelligent TamBram, Malati Iyer and Maltesh who has no friends save a gecko and a guinea pig... oh and an eco-warrior geriatric who lives in the national park.
Basu saves the best of her idiocy for those lovable nuts, the Banerjees. Soumitra, Ira, Shreya, Bonny, Mishti, Siddharth and their accent challenged celibate cousin, Dibendyu; the less said about these imbeciles, the better.
Clearly, Basu must be an avid fan of Mills & Boon books with gems such as “Dibyendu lay on the sofa, his eyes shut, his limbs spread out carelessly. A lock of his hair fell over his forehead. The buttons at his neck were open, revealing the thick black hair on his chest. His arms rippled with muscles in the half-light of the storm and his taut thighs bulged. Suddenly and unexpectedly, he appeared virile and handsome.”
And where trashy books are an inadequate inspiration, Basu turns to the real world possibly paraphrasing the Times with “Siddharth knew that the colony had been built on land stealthily claimed by deliberately destroying the mangroves that had existed for decades in these parts of the suburb. Land acquired illegally by land sharks who were masters at destroying the ecology in an unobtrusive, almost invisible manner. The mangroves had been steadily vanishing under Siddharth’s anguished eyes.” Deliberate destruction of mangroves? Really, you don’t say? Her hackneyed attempts at reflecting reality come across even more crudely with references such as Makhijani Foundation School in Powai which Madame Basu has surely modelled on the Hiranandani Foundation School. There are so many elements ranging from a forest brigand, a bomb attack, sons of the soil vs. others, nepotism in educational institutions and xenophobia among others that it borders on the bizarre.
With Cappuccino Dusk having been long listed for the Man Asian Literary Prize in 2007, we can only speculate that Basu feels sufficiently encouraged to write another chef d’oeuvre. One can only hope that Basu has had some sort of epiphany that either leads to better writing or an early retirement.